Panzano

Panzano creates a matrix where the three most taken-for-granted elements of any film (camera, subjects, and the spaces they inhabit) are all delicately at odds with one another — allowed to float freely, gauge the terrain, and stake out a compromise. It could have all come across as hopelessly vague and amorphous were it not for the fact that this is ostensibly a home and presumably a family. The strange rituals, comings and goings, arguments and reconciliations, and — most crucially — perpetual limbo are, after all, merely our own.

— Carlos Garza