The Diaspora Suite

Filmed on location in Harlem (NY) and Ethiopia, Forged Ways oscillates between the first person account of a filmmaker, a man navigating the streets of Harlem, and the day to day life in the cities and villages of Ethiopia.

Provincetown, Cape Cod.

A reconstructed 'landscape' inspired by a drive down 6A. The norm when driving of watching the landscape approaching and receding, and the side-show of dioramas.

–– Ken Kobland

This work was restored in 2022. 

Mono Lake and Yosemite Valley, in California, highlight this excursion into the constipated crevices of once highly-active fumeroles that splatttered magma and chunks of hot rock onto the Western landscape. Now the vents are blocked by eating disorders that rob our nation of its free-flowing and fertilizing heritage. We follow a woman as she sinks into a dark, inland sea of great natural beauty, unable to deposit her own organic pile into the rich mineral build-up that reaches skyward toward the creator who dreamt up this exquisite landscape.

A sweeping saga of an evil matriarch and her march to infamy as she invades the hearts and souls of those organs and entities that reside in the male physique. A lustful excursion to the far corners of the globe as this vixen of vice weaves an occult web of sticky substances guaranteed to gummy up the gals and grease down the guys.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns! The magic and grandeur of glacier-masked real estate is here for all to see and digest in this bountiful serving of natural delights.

Goodbye Thelma synthesizes footage from the 1991 film Thelma & Louise with footage of the author’s own making to create a mysterious, and at times disturbing, exploration of traveling alone. In contrast to the dramatic events of Thelma & Louise, this story is one of suspended fear, which inverts stunning vistas into unsettling and uncertain landscapes.

One of the earlier video diaries where George vacations in Colorado, reflects on scenery and animal life and visits people. "

A collection of unidentified individuals is stuck together on a boat. Are they going home? Where is their home and why are they so silent? This short work takes a look at a displaced and uprooted community.

A reflection on the phenomenon of the touring musician.

"I shot this film with a 16mm wind-up Bolex, and the 25th Anniversary tour of Dutch band The Ex, when they embarked on a 'convey tour' with about 25 performing comrades. If half the battle is getting there and half the battle is joy, then the other half is madness. I thank all of the musicians who float in and out — of the film, in particular, and my life, in general."

— Jem Cohen

Soundtrack music: Guitargument, an Andy Moor and Mia Clarke improvisation, arranged and edited by Jem Cohen.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity. Four teenagers are invited to discover a new world and participate in Indian daily life in two different communities. They show their emotions, curiosity and fears, and are surprised by their new friends.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity. Four teenagers are invited to discover a new world and participate in Indian daily life in two different communities. They show their emotions, curiosity and fears, and are surprised by their new friends.

"You don't have to go to Hawaii to be in Hawaii. Nor do you have to be sensual to feel sensual. You look the way you are supposed to look. The sensuality of Hawaii completely fascinates me in this video."

—Ximena Cuevas

"Starring an inflatable wig holder that I got at a car boot sale in Bremen, Germany, this film began as a demonstration of different film animation techniques, but evolved into a bizarre improvised narrative in which the head escapes from the violent clutches of a mixed-up model girl, is sent to Poland in a wicker basket, where it has a nice holiday (I took it on holiday to Poland with me and animated it in the countryside), and finally returns on the ferry."

-- Jennet Thomas

Super 8 film, cut-out animation, model and object animation.

"By way of lush formal and associative shifts, Hearts Are Trump Again evokes the ever-present tension between seemingly polarized states of experience. Desire and repulsion; freedom and constraint; pain and pleasure all find articulation in images of ferocious dogs and mock conversations about childbearing. Tonally complex and viscerally rich, Hearts Are Trump Again is a lyrical exploration of emotional weather."

— Brett Price

In this tape, shot in August 1970, a number of Hells Angels are interviewed on the street in New York City. They talk about their bikes and their preparations for a “run”, and their reactions to the way they are portrayed by the mainstream media.

Each year, crowds of Turkish, Australian and New Zealander tourists travel to Gallipoli, Turkey for a modern day pilgrimage. They honor their fallen soldiers who lost their lives in the Gallipoli/Çanakkale Campaign—one of the bloodiest conflicts of World War One—, which is considered as a defining moment in the establishment of the Turkish nation state as well as the beginning of national consciousness in Australia and New Zealand. With heightened emotions, they move around the historical battlefields, graves and war monuments with the help of guided tours tailored for each community.

There’s lots cooking in the city-by the-bay and the waters smell good too as the viewer sails off to Sausalito for home-made bread and gets an ocular whiff of oriental cuisine. The eyeball is treated to many tasty items as the Pacific itself churns like an overtaxed tummy in preparation for a blowout. There are Christmas lights and holiday fireworks and furry playmates being squeezed by the overstuffed. It’s all in good cheer and definitely good taste as the spinach pies flaunt their iron-packed punch to the gut and a bittersweet/hot & sour merriment stalks the salivating.

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Flashbacks and flashpoints flare-up along with thunderheads that loom and boom with vibrations of doom, their every move charted with vivid vibrancy on videographic maps which detail developing devastation.

Desire and death are in the air along with some aromatic wisps of ethnic edibles, so be sure to sniff it all.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places. Within the dalectical interplay between global processes and local environments, Hub suggests that displacement and mobility itself might be thought of as a new way of belonging. Hub uses the transitory space of the airport—defined by its arrivals and departures—to introduce the notion of disappearance to articulate new ideas on belonging and identity.

IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality. It includes a dream sequence while in-flight over northern Canada, a magic-realism moment in Mexico City, and a heart-warming reunion between a mother and a daughter at LAX.

With sound design by Jim Mckee and an original music score by Mckee, Wieslaw Porgorelski and Laurie Amat.

The splendor of a mountain lake is clouded by the musings of a brain in memory mode. The head relives the heartbreak of suburbia and the vacancies that fill every motel on the edge of nowhere. The body moves through a rainbow palette of indelible stains that color the journey with the hues of heaven and hell.

This title is also available on The World of George Kuchar.

Trudging from here to there and beyond, the traveler, weary from the weight of his own body, finds replenishment in boxes both large and small, as the vast wetness of all outdoors offers water, water everywhere, and not a drop to drink.

With a combination of Hollywood, European, and Israeli film; documentary; news coverage; and excerpts of 'live' footage shot in the West Bank and Gaza strip, Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) critiques representations of the Middle East, Arab culture, and the Palestinian people produced by the West. The video mimics the dominant media's forms of representation, subverting its methodology and construction.

With a combination of Hollywood, European, and Israeli film; documentary; news coverage; and excerpts of 'live' footage shot in the West Bank and Gaza strip, Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) critiques representations of the Middle East, Arab culture, and the Palestinian people produced by the West. The video mimics the dominant media's forms of representation, subverting its methodology and construction.

A hallucinatory portrait of a man traveling from Finland to Greece in search of the utopian summit described in René Daumal's Mount Analogue (1952) - a fictional mountain floating in the sea. Equal parts non-fiction cinema, concert film, road movie and spirit quest, our protagonist's journey is accompanied by immersive musical performances from Finnish guitar trio Olimpia Splendid and American percussionist Greg Fox.

Director / Editor / Camera Operator - Ben Russell
Steadicam Operator - Chris Fawcett