Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup.

A music-filled tour of Christmas good cheer overtakes this gastronomically oriented excursion through the winter season of discontent and yuletime yearnings craving ignition.

George Kuchar just received a tape of himself on the Dog and His Friends from the Dog House television show, but he must first track down a VHS player to watch it.

A colorful and sinister tale of hypno-therapists delving into the quagmire of UFO abductions, and wallowing in the subconscious muck of their own primal urges.

A drama, enacted on the cornfields of Iowa, of a woman haunted by the legacy of her mother and the acts that lead to mom's downfall on the banks of a river.

The threat of disaster heightens the shallow into prominence, making their eventual fall all the more poignant as we see through their protective garments to view an eager beaver on the prowl.

Curt McDowell, the director, on his feet and weaving in and out of this televised tapestry with gracious grossness and Hoosier-based hospitality.

The unstable earth becomes the epicenter of this videotape document which explores—in a fractured way—the relationships between the people, places, and furniture that sit atop the San Andreas Fault.

Colors swirl and shift amid pulsating blobs of light as a voice from the past takes us on an antiquated journey to the future and beyond.

Cameras aim and click in this breezy short that blows hot and cold kisses to the "Big Apple" below and the maple leaf above and beyond the northern border of this great nation.

A party of past students illuminates this diary of boxed dreams, as those enclosed face the real world and nurture into existence the future people of the next millennium.

In this sequel to Rainy Season, George recovers from his depression and experiences a "little joy" during a New Year's Eve of champagne cork-popping.