Colectivo Los Ingrávidos: Hauntology Film Archives

In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.

Part of paraconsistent sequence series and the hauntology series.

Part of the Hauntology Film Archives series.

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence. An unrest landscape of the insight. Space-time of thresholds. This is The Palace at 4 am.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction. Part of the Hauntology series.

Part of paraconsistent sequence series and the hauntology series.

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.

A figure crosses, runs and flees through the cinematic space, there is no way out. The imminent catastrophe looms. With images by Dovjento and music by Stravinsky. Part of paraconsistent sequence series and the hauntology series.

This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.