Colectivo Los Ingrávidos: Hauntology Film Archives

A brief glimpse of a confessional detour during a pictorial drift.

First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american factory in movement through the endless american party.

Part of the Hauntology Film Archives series.

The perception of machines' movement within industrial work.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.

Part of the Hauntology Film Archives series.

The Erosions series develops the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

Other works in the Erosions series include Barranca and Viral.

This is Warhol's haunted painting and its circular detour. Oily and greasy suppuration, as well as enchanted absorption as a harbinger in times of pandemic vortex.

Part of paraconsistent sequence series and the hauntology series.

Part of the Hauntology Film Archives series.

Part of paraconsistent sequence series and the hauntology series.