Colectivo Los Ingrávidos: Hauntology Film Archives

A brief glimpse of a confessional detour during a pictorial drift.

First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american factory in movement through the endless american party.

Part of the Hauntology Film Archives series.

The perception of machines' movement within industrial work.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.

Part of the Hauntology Film Archives series.

The Erosions series develops the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

Other works in the Erosions series include Barranca and Viral.

This is Warhol's haunted painting and its circular detour. Oily and greasy suppuration, as well as enchanted absorption as a harbinger in times of pandemic vortex.

Part of paraconsistent sequence series and the hauntology series.

Part of the Hauntology Film Archives series.

Part of paraconsistent sequence series and the hauntology series.

This is the state of mind in the post-Covid quarantine. This is the state of the body into the pandemic vortex. This is our post-Covid eyes. Part of the Hauntology and Post-Covid series.

This is the burial hymn for thousands of souls in anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

Part of the Hauntology Film Archives series.

In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.

Part of paraconsistent sequence series and the hauntology series.

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence. An unrest landscape of the insight. Space-time of thresholds. This is The Palace at 4 am.

Part of the Hauntology Film Archives series.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction. Part of the Hauntology series.

Part of paraconsistent sequence series and the hauntology series.

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.