Colectivo Los Ingrávidos: Hauntology Film Archives

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence. An unrest landscape of the insight. Space-time of thresholds. This is The Palace at 4 am.

Pandora, 2019

Pandora is one who communicates to the human world the powers of the night. These are glimpses of her visions.

Part of the Hauntology Film Archives series.

This is the burial hymn for thousands of souls in anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

Part of the Hauntology Film Archives series.

Part of paraconsistent sequence series and the hauntology series.

Raccoon, 2024

Part of the Hauntology Film Archives series.

Red Note, 2024

Part of the Hauntology Film Archives series.

Part of paraconsistent sequence series and the hauntology series.

Shadow, 2022

Part of paraconsistent sequence series and the hauntology series.

Spectral , 2022

Part of paraconsistent sequence series and the hauntology series.

They Fade, 2022

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series and the hauntology series.

Tracking , 2020

This is the state of mind in the post-Covid quarantine. This is the state of the images in the pandemic vortex. This is our post-Covid screen. The constant monitoring of a global demonic and satanic presence. Part of the Hauntology and Post-Covid series.

The Tribe, 2022

Part of paraconsistent sequence series and the hauntology series.

We are still here. We the birds. Part of hauntology Film Archives and shamanic materialism.