Part of the paraconsistent sequence series.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

Part of paraconsistent sequence series.

A Japanese Kabuki-influenced performance piece, shot in the woods in Winter. A masked woman emerges from a snowy forest and approaches a stone dwelling, where another woman is waiting.  The pair enact a tea ceremony in silence. 

In the next scene the tea tray appears in the road, and then disappears after a car passes.  Image processing magic.

Please note, production year is approximate.

Part of paraconsistent sequence series and the hauntology series.

Part of paraconsistent sequence series.

Spell Reel is an archive of film and audio material from Bissau, Guinea-Bissau. On the verge of complete ruin, the footage testifies to the birth of Guinean cinema as part of the decolonising vision of Amílcar Cabral, the liberation leader who was assassinated in 1973.

Stasi is an audiovisual recall of the political and social substrates that sustain an actual system of images. Stasi is a recall of a system of images that, even now, dominates the global gaze of the world.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

This is the second part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.

This is the third part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.

This suite is a set of circular and fragmented compositions, in which a rhythmic and haunted dance hides an eroded lunar landscape. The microscopic rubble of our contemporary civilization. Part of the Lunar Films series.

Part of paraconsistent sequence series.

Simultaneously dark, surreal, and unnerving, this seventeen-minute tape is a stark departure from the usually playful productions of the Videofreex. Through the use of slow fades, processed audio, and the juxtaposition of often-times violent imagery with a bleak, winter forest, the viewer is thrust into an atmospheric and experimental trip.

Nancy Cain interviews an upside down chin face about Women's Liberation, asking "Where do you stand on the subject?"  The chin face professes to be happy with her lot, and says she enjoys living alone with her cat.

This video was shot in the Prince Street, New York loft/studio used by the Videofreex.

The Politics of Breathing: Tear Gas.

Parry Teasdale is one of the founding members of the video art collective Videofreex, which was active in the 1960s and 70s. In this extensive two-part interview Teasdale explores the collective’s motivations and endeavors, which embodied the social and political concerns of the period.

This is our contemporary Mesoamerican temple, restored from an asymmetrical and intermittent grammarchy in motion.

In the center of the rising Temple, the history, myth, ancestral and infrareal combine their rhythms into the cycle life of ritual cinema. Trance and shamanic visions arise into the ancient Teocalli.  

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city. And, finally, the clamor of the people that shook Mexico after the night of September 26, 2014. The disappearance of 43 students from Ayotzinapa opened a breach in the Mexican political body.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city. And, finally, the clamor of the people that shook Mexico after the night of September 26, 2014. The disappearance of 43 students from Ayotzinapa opened a breach in the Mexican political body.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city. And, finally, the clamor of the people that shook Mexico after the night of September 26, 2014. The disappearance of 43 students from Ayotzinapa opened a breach in the Mexican political body.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city. And, finally, the clamor of the people that shook Mexico after the night of September 26, 2014. The disappearance of 43 students from Ayotzinapa opened a breach in the Mexican political body.

Part of paraconsistent sequence series and the hauntology series.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraven. They walk unseen. They Live.