In this piece Dani Leventhal recounts to camera her experiences of living and working in Israel, the fabled land of milk and honey of childhood lessons. With time spent in a metal factory and a battery farm for chickens, her harrowing tale includes stories of sexual harassment and sick birds. Against this background, there are idyllic images of bees and flowers, cows and calves, intimate caresses, dead birds. Every thing is worthy of Dani's gaze, and is transformed by the encounter, becoming more human or sacred, and we are closer to the pain and beauty of being alive. 

Shot in a local Natural History Museum in northern Israel. 100 white doves fly around cabinets of stuffed birds and other animals. This is a symbol of a culture which is unwilling to let the past go, and lives so naturally with the dead. They stand in silence, but fully present, as we continue living.

Note: This title is intended by the artist to be viewed in High Definition. While DVD format is available to enable accessibility, VDB recommends presentation on Blu-ray or HD digital file.

Tales of a Future Past is a video about a giraffe and a zebra who fight over an undefined baby creature, in hopes of making it one of their own species. Using toy masks and a sparse theatricality, Cecelia Condit creates a contemporary reflection on species extinction and the lonely, silent world that will ensue from it.

"Fusco revives and embodies the chimpanzee animal psychologist Dr. Zira from the original Planet of the Apes films of the late 1960s and early 1970s. In her Skyped-in introduction, esteemed feminist theorist and technoscience philosopher Donna Haraway explains that Dr. Zira narrowly escaped death in the third film and has been living in hiding, observing human behavior through visual culture. In her lecture, Dr.

Experimental but heartfelt, all fiction + mostly video.

Featuring: phantoms, parakeets, some animation, much smoke, Super 8 hi-jinks, several actors.

A film about people trying really hard to listen and people hardly listening.

A two-headed calf died when one head atrophied. It became a trophy that the artist used as a source for this 16mm film transferred to video.

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh. In this department there are old cabinets full of categorized butterfly specimens, neatly ordered in drawers.  I released into this space 100 live butterflies that flew among the dead specimens.  The result is as if these dead specimens have now come to life.

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes. It is a rampant creation that seems to defy the explanations of evolutionists and fundamentalists. It is like a mescalin vision dreamt by Charles Darwin.

Live action and animation adaptation of an episode from Lautréamont’s 1868 anti-novel Maldoror.

This film has led a double life: in one version it forms part of an Anglo-German feature film collaboration (see below) based upon the eponymous anti-hero. But here it stands alone, and self contained - the same source of inspiration but a different edit with all new sound.

You Were an Amazement on the Day You Were Born is a visually stunning work that follows a woman through a life characterized by damage and loss, but in which she finds humor, love, and joy. With a score that follows the span of Lenore’s life, from her birth in the early 70s to her death in the 2040s, the film takes us from moments of harrowing loss to those of poignancy and dark humor.

You Were an Amazement on the Day You Were Born is a visually stunning work that follows a woman through a life characterized by damage and loss, but in which she finds humor, love, and joy. With a score that follows the span of Lenore’s life, from her birth in the early 70s to her death in the 2040s, the film takes us from moments of harrowing loss to those of poignancy and dark humor.

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert. Relating the different animals to each other through montage, fictional relations amongst them is created; a society of animals. The film thus comments on human communities, who created zoos as mirror images. There is an otherness there, and at the same time a disturbing proximity, which we’d like to dismiss.

Written, directed and edited by: Ann Oren 
Sound: Robert Hefter