Portrait

tryphon: three sounds is a candid portrait of the artist Thomas H. Kapsalis (b.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, “Blue Studio: Five Segments,” is an innovative work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. Cunningham choreographed the dance specifically for the two-dimensional video monitor screen. Atlas uses a variety of video imaging effects, including chromakey, to electronically transport Cunningham’s studio performance into a series of outdoor landscapes. The audio track includes the voices of John Cage and Jasper Johns.

A short portrait of artist Anne Truitt (1921-2004). The film consists of an interview and 16mm footage made in and around her studio at the Yaddo artist colony, as well as footage from her home studio in Washington D.C.  Rather than an attempt to depict her art, which is in many respects un-photographable, the core of the film is found in Truitt speaking about the course and meaning of her work. Says Cohen, "I was honored to know Anne Truitt, and doubly so when she allowed me to make a short record of her presence and thoughts.

In a fragrant garden warmed by the sun, a young man inhales the atoms of the world and exhales thoughts that probe the very essence of his existence. 

Embraced by a gentle breeze in that tranquil place kissed by the sun, he embarks on a journey inward to that spiritual and sensual state best described as the "cosmic consciousness", - the "quest" to "understand" and "accept".....to have "peace of mind".

This moving video portrait follows a group of teenage boys who attend the Masada School, a school for juvenile delinquents and social misfits. The boys worked on every phase of the video, and present a picture of themselves that challenges society’s, and their own, typecasting. The humor, philosophy, and honest retelling of the students’ stories details the Catch-22 of living on the street, how parents' problems are passed on to the boys through abuse and neglect, and the struggle each feels to keep hope for a better life.

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying. In 2014, video artist and editor Tobe Carey scanned the slides from the lecture and we collaged together the spoken narrative, images both of my own work and also of death rituals from many different cultures, creating an Endgame-like collage. There are images from my study in Benares at the Burning Ghats, images from my film Mitchell’s Death, and descriptions of ways that my work and death seem to be close cousins.

Henry Johnson was an elderly gas station attendant living in Goldsmith, Texas, a West Texas town of four hundred people. His collection consisted of enormous rattlesnake heads, gallon jars of rattlesnake rattles, eight-inch-long centipedes, specimens of Jerusalem crickets locally called “child of the earth,” (also known as the “devil’s baby”), and even a man’s finger, severed in an elevator accident. These specimens were preserved in rubbing alcohol and displayed in a rusty wire magazine stand.