Do walls have ‘tales’ to tell? Are ghosts the only ’friend’ one has on sleepless nights when the mind whispers to the soul and a beating heart drums its deeply felt message out into the darkness?
- See what the drum discovers, and you will know why.
Do walls have ‘tales’ to tell? Are ghosts the only ’friend’ one has on sleepless nights when the mind whispers to the soul and a beating heart drums its deeply felt message out into the darkness?
- See what the drum discovers, and you will know why.
Based on the filmmaker's autobiography, You Are Here examines the search for home within our era of transnational displacement. As the son of Italian immigrants, the filmmaker examines notions of home and belonging within the context of his ethnic origins, but also extends this in relation to his identity as a gay man. The film chronicles his trajectory from his familial home in Italy, to his native Canada and beyond, and weaves a compelling portrait shaped by memory and the realities of the present.
As the AIDS epidemic took hold in the early 1980s, self-help guru Louise Hay created a space for healing called the Hayride. Drawing hundreds of gay men confronting a deadly and stigmatized disease, Louise promised that they could overcome AIDS through self-love. Some said this early new age wellness movement was unscientific and harmful. Others who were suffering said that Louise healed them. In the face of a deadly pandemic and government neglect, resilience takes unusual forms, and for Louise Hay’s circle, intimate forms of reckoning were transformative.
Increasingly invasive questions are asked of a series of lesbians, both couples and a single lesbian, to complete the Longform Lesbian Census. From "big boxes of dildos," and "political lesbianism," to only being able to have six cats at a time, this playful video looks at the current state of lesbian lives. Is the Government of Canada finally interested in Lesbian citizens? Or are these interviewers just trying to find girlfriends?
A beautifully ambiguous study of the nude in light and movement, this short silent film focuses on the dimly lit bodies of two women shot from Child’s distinctly non-male perspective.
Psykho III The Musical is an intriguing play on the tension between “authentic” and “pop” camp. This celebration of artifice was originally written, directed, and produced by Mark Oates as a stage musical parody following the release of Psycho II in 1983, and was performed at the East Village’s most notorious nightspot — The Pyramid Club. In 1985, after a wildly successful run, Oates reached out to longtime friend and Downtown video artist Tom Rubnitz to produce a video adaptation of the stage musical.
Recognizing the extreme inadequacy of information on AIDS prevention, cosmetologist DiAna DiAna, with her partner Dr. Bambi Sumpter, took on the task of educating the black community (which makes up the majority of local AIDS cases) in Columbia, South Carolina. This video documents the growth of the South Carolina AIDS Education Network, which originated and operates in DiAna’s Hair Ego, DiAna’s beauty salon.
These five short videos introduce Judy, a paper maché puppet who ruminates on her position in society. Like Judy, of the famous Punch and Judy puppet duo, Benning’s Judy seems to experience the world from the outside, letting things happen to her rather than making things happen around her.
This title is also available on Sadie Benning Videoworks: Volume 3.
Glenn Belverio is an independent filmmaker and drag artist who lives and works in New York City. In 1990, he began producing and co-hosting the popular Manhattan Cable series The Brenda and Glennda Show, a talk show that mixed activism with comedy as it took drag out of the clubs and onto the street. In 1993, the show became Glennda and Friends, a post-queer task show featuring provocative co-starts such as gay pornographer Bruce LaBruce and guerrilla scholar Camille Paglia.
In Queens on the Media Scene, East Village drag queen Linda Simpson (of My Comrade zine) joins Glennda to discuss the explosion of drag in the mainstream media, and the pair interview passers-by on the streets of Midtown Manhattan. They discuss the rising acceptance of drag in the mainstream, in part due to the media presence of RuPaul; the potential taming of drag or its normalization; and an ambition to preserve the more taboo aspects of drag expression in the face of increasing popularization.
In the video Glennda does DC, Glennda interviews people in Washington D.C. about the topic of gay rights. As the National Gay and Lesbian Task Force Conference is going on simaltaneously, she asks people if they were aware of this, and if they believe that there should be a gay rights bill.
In Wigstock ’94, Glennda and her friend Bobra attend Lady Bunny’s Wigstock festival. Following the event’s move from the East to the West Village, they explore the changing dynamics and configurations of queer culture in New York. The pair interview other drag queens, members of the local community, and passersby to get a sense of how an event like Wigstock is received by the city.
An episode of Glennda and Friends, hosted by Glennda Orgasm and Bobra. Featuring Jackie Beat, Joan Crawford, Jackie O., Sherry Vine, Nona Vulva, Wendy Wild, and Yumi.
A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that will be at peace with itself.
This title comprises Angels We (2015), Feathered Hearts (2015), and Flesh and the Stars (2018) which were compiled into this form by Mike Kuchar in 2022.
Open Conch is a spell for pleasure and queer desire.
Open Conch takes fragments from portraits of lesbians and queer identified women from Bonn in spaces they requested to be recorded in. Choices include houseboat homes, kitchens, dining room tables, bridges, tunnels, graffiti and other public spaces. A main character with pink hair follows the conch to find what is actually natural; such as circles of women dreaming, the slaying of the patriarchy by a red wooden sword and the calling in of queer love through movement, fabric, sound and circle.
In the spring of 1988, video-maker/activist Gregg Bordowitz tested HIV-antibody positive. He then quit drinking and taking drugs and came out to his parents as a gay man. This imaginative autobiographical documentary began as an inquiry into these events and the cultural climate surrounding them. While writing the film, a close friend was diagnosed with breast cancer and his grandparents were killed in a car accident. The cumulative impact of these events challenged his sense of identity, the way he understood his own diagnosis, and the relationships between Illness and history.
In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage. While the couple is required, again and again, to prove their relationship legally exists, the mikveh they share helps them overcome unforgiving bureaucracies and return to what truly matters.
"Conspiracy Of Lies speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos. The video begins with a voice (my own) recounting the story of the discovery of a series of diary entries and lists written by an anonymous author. When I found the texts, I assumed the author to be a white, gay man, like myself. Through the use of twelve narrators of different race, gender, religion, and sexual orientation, I attempted to destabilize my own subjectivity and challenge my pre-existing assumptions regarding difference.
An homage to the death of the soap opera, The Evil Eyes is a 1960's era story of a grandmother faced with her mortality, a mother in mid-life crisis, and a son realizing his sexuality - a dysfunctional family whose unspoken angst manifests in the latest episode of their beloved supernatural soap opera, Before Dawn.
TREYF “unkosher” in Yiddish— is an unorthodox documentary by and about two Jewish lesbians who met and fell in love at a Passover “seder”. With personal narration, real and imagined educational films, and haunting imagery, filmmakers Alisa Lebow and Cynthia Madansky examine the Jewish identity of their upbringings and its impact on their lives.
Part of a campaign initiated in 1989, this video is a component of Gran Fury’s plan to raise consciousness and advance medical and federal reform on AIDS policy. These ads ran on TV as a counterpart to controversial bus posters, which generated some intensely negative reactions. Using Benneton’s "United Colors" ad campaign to a decidedly different end, simple but powerful images and modern text deliver an enlighteningly direct message.
This sun-drenched meditation contemplates on a youth's journey towards self discovery and his role in a new age.
In From Fagtasia to Frisco, Brenda and Glennda report from Fagtasia, an event honoring the Summer Solstice in New York organized by the Radical Faeries. Through interviews with Faeries and footage of their walk across the Brooklyn Bridge, the group proposes to reclaim the city as a safe space for queer people, and discuss reorienting queer consciousness toward spirituality.
A self-help speaker encourages self-reflection. Friends in Chicago hang out.
This title is also available on Chicago Sex Change: 2002-2008, A collection of Minax's early videos that together create a punk-documentary tapestry of young queer life in Chicago in the early 2000s.
“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others.
Taiwanese artist Shu Lea Cheang (b. 1954) tackles conceptions of racial assimilation in American culture, examining the political underbelly of everyday situations that affect the relationship between individuals and society.

