Expedition/Travel

A hug/punch eulogy for all things impossible now. Vague Images is a sketch book of images and sounds from the year wrapped around a trip out to Loomis, South Dakota to find the abandoned farm where my grandfather grew up. At the same time the film is a travelogue of my frustrations and understandings of gay sexuality. The two are connected.

Reeves explores his personal journey to seek the center of existence through the teachings of Eastern religions. India is the source of images for his message about the eternal wheel of existence—life and its continuous process of change.

“Reeves uses a digital imaging technique… in which images seem to be composed of a series of almost fragmented yet fluid stills, and all movement becomes a procession of shadows.... This gives a powerfully ethereal quality to the piece, one that underscores the theme of human existence.”

For four years in the 1860’s, half of the United States was held hostage by an unrecognized white supremacist republic. Shot on 16mm in national military parks, swamps, forests and the suburban sprawl across the former battlefields, the film follows General Grant’s path liberating the southern United States. Part travelogue, part essay film, part landscape documentary, it moves from the Texas-Louisiana border to a prison island off the coast of New England.

Paternal Rites is a first-person essay film that examines the secret underbelly of a contemporary Jewish American family as they grapple with the aftereffects of physical and sexual abuse on their present-day lives. It is also a groundbreaking film about the nature of trauma and memory itself: the ways in which trauma encrypts in uncanny ways; the function of speech and narrative in the process of decryption; and the role of film and filmmaking in the practice of healing.

BAGHDAD IN NO PARTICULAR ORDER is an ambient video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and sufis sing as they await the coming of another war. In seven languages (Arabic, Chinese, English, French, German, Italian and Spanish).

Notes, gifts, promises, paintings, trash, and other ephemera from the city which is now hardly a city. What if Walter Benjamin didn’t kill himself, learned html, bought a camera, and thought himself useful enough to work in an impending war zone?

There’s lots cooking in the city-by the-bay and the waters smell good too as the viewer sails off to Sausalito for home-made bread and gets an ocular whiff of oriental cuisine. The eyeball is treated to many tasty items as the Pacific itself churns like an overtaxed tummy in preparation for a blowout. There are Christmas lights and holiday fireworks and furry playmates being squeezed by the overstuffed. It’s all in good cheer and definitely good taste as the spinach pies flaunt their iron-packed punch to the gut and a bittersweet/hot & sour merriment stalks the salivating.

This is a later reworking of original video documenting the goings-on of the village, Tlocalula, Mexico in 1973.

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landscape to create their own world. Breaking genre restrictions, Thornton uses improvisation, planted quotes, archival footage and formless timeframes to confront the viewer's preconceptions of cause and effect.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly truculent trespassers of a salty sanctuary.  Visit the chefs of chivalry as they skewer the squeamish with talons of titillating tidbits, each one a calorie crunching course in obese obtrusiveness and opulent oddness.  Come one, come all, and sample a smorgasbord of simple pleasures in this vacation video of vicarious vacillations.

A hallucinatory portrait of a man traveling from Finland to Greece in search of the utopian summit described in René Daumal's Mount Analogue (1952) - a fictional mountain floating in the sea. Equal parts non-fiction cinema, concert film, road movie and spirit quest, our protagonist's journey is accompanied by immersive musical performances from Finnish guitar trio Olimpia Splendid and American percussionist Greg Fox.

Director / Editor / Camera Operator - Ben Russell
Steadicam Operator - Chris Fawcett

Artist Rabih Mroué looks back at old audio recordings, which were made by him and his parents to be sent as audio letters to his brother while he studied abroad. The old recordings become the site of a political critique of the packaged values of communism, resistance and martyrdom.

This title is only available on Radical Closure.

Provincetown, Cape Cod.

A reconstructed 'landscape' inspired by a drive down 6A. The norm when driving of watching the landscape approaching and receding, and the side-show of dioramas.

–– Ken Kobland

This work was restored in 2022. 

The passage from Germany to the United States influenced by moments lived during WWII era Germany.