Animals

Animals debate the sticky subject of body dysmorphia and the merits of reconstructive surgery in this short animation.  

"Jessie Mott wrote the script for this, recorded the voices and made the drawings.  I constructed the soundtrack and animated her drawings."
--Steve Reinke

"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St. Louis, Missouri which suffers from from severe abandonment and despair, but also has many tranquil vacant lots where nature flourishes. I chose these birds of prey for their symbolic meaning- The bald eagle a symbol of the United States, hawks and owls are messengers.  But this is not a film about St. Louis, It's about an anonymous archetype more than a specific locale. St.

A dreamlike journey, a disintegration into a fluid human-animal-plant-machine consciousness, Pirouette follows a sound artist who records horse sounds using her own body, while a cellist on the street invades her imaginary. It is the psychedelic conclusion of the horse-foley trilogy: Passage (2020) - Piaffe (2022) - Pirouette (2024).

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes. It is a rampant creation that seems to defy the explanations of evolutionists and fundamentalists. It is like a mescalin vision dreamt by Charles Darwin.

The works on Reel 3 were produced during 1972-73, and re-mastered in 2005 when several newly available titles were added. The focus here is on social relationships and attaining the perfect life, be it through making the right decision, getting something for nothing, or just having it all. Many of the comic skits parody television ads and infomercials, and Man Ray has to make some consumer choices.

In The Jungle playfully and sorrowfully tells the tale of an unreliable narrator in a self-imposed exile. Given a grant to study the equivalent of animal cries and whines in jungle flora our heroine has lived for 1,612 days deep in an unnamed jungle. This jungle serves as an extended metaphor for excessive and continual growth and death and fear and sustenance; a metaphorical space of chaos in which the scientist finds solace and which stands in contrast to the human jungle of 'civilization'.

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert. Relating the different animals to each other through montage, fictional relations amongst them is created; a society of animals. The film thus comments on human communities, who created zoos as mirror images. There is an otherness there, and at the same time a disturbing proximity, which we’d like to dismiss.

Written, directed and edited by: Ann Oren 
Sound: Robert Hefter

It’s the first day of autumn, and Gibbons can already smell death in the air. Leading us and his dog Woody on a walk through a cemetery, Gibbons voices his obsessive thoughts of death and destruction saying, “I want to be a leaf; I want to fall from a great height and crush whatever I land on.” Waxing weirdly philosophical, Gibbons satirically tries to impress the concept of mortality on his dog; the video, shot in Pixelvision, approximates his dog’s black-and-white vision.

Animals debate the sticky subject of body dysmorphia and the merits of reconstructive surgery in this short animation.  

"Jessie Mott wrote the script for this, recorded the voices and made the drawings.  I constructed the soundtrack and animated her drawings."
--Steve Reinke

Ant paths sketch a fading pheromonal portrait of a colony.

This title is only available on Soft Science.