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Take Off

Susan Mogul

1974 00:10:30 United StatesEnglishB&WMono4:31/2" open reel video

Description

"I made Take Off in my studio apartment on Myra Avenue during my second year living in Los Angeles. As a member of the Feminist Studio Workshop, I was writing an essay at the time comparing male artists’ representations of their sexuality with female artists’. Vito Acconci was my model for a male perspective. I had been captivated by his videotapes; particularly Undertone, where he was supposed to be masturbating while seated at a table. The videotape was my ultimate response and commentary on Acconci as well as an expression of my own sexuality."

— Susan Mogul

"In a very literal way, Mogul takes to task the whole notion of the male artist’s body as a text of creativity which can be read through its activities and gestures. With a good deal of ironic humor, she transforms the 'girl' into a woman and an artist, who positions herself not under the table (as in Acconci’s Undertone) but directly across from the viewer; alternately discussing the 'history' of her vibrator and occasionally using it."

— Joseph Di Mattia

This title is also available on I Say I Am: Program 2.

About Susan Mogul

Having been involved with video since the early 1970s, Susan Mogul is a pioneer of the medium. Initially producing an important series of humorous and staunchly feminist performance videos, her practice quickly expanded to more complicated and experimental forms of narrative, including feature length work. Mogul has received grants including: Guggenheim Fellowship, ITVS commission, National
Endowment for the Arts Fellowship, Getty Trust Fellowship, and Center for Cultural Innovation grant. 

A survey of Moguls video/films took place in Vienna at the Austrian Film Museum in 2024. Mogul’s video/film retrospective was presented at Visions du Reel Film Festival in Switzerland in 2009. Driving Men (2008), a feature length documentary, screened in international competitions in Japan, Italy, Portugal, Switzerland, and India. Mogul’s first solo museum exhibition – a major survey of her work- opened August 2022 at the Zacheta National Gallery of Art in Warsaw, Poland.

Mogul’s work has been featured in historic exhibitions: California Video at the Getty Museum, Los Angeles: Birth of an Art Capital at the Pompidou in Paris, and Where Art Might Happen: The early years of CalArts at the Kunsthaus Graz in Austria. Women of Vision: Histories in Feminist Film and Video devotes a chapter to Mogul’s work and career. Mogul was the keynote speaker at a national conference in Zurich on film and autobiography.

Less is Never More, a solo installation was presented at as-is-la gallery in Los Angeles in 2019. Less... garnered a full-page review in the LA Times. A major essay in the 2020 summer issue of the Los Angeles arts quarterly, X-TRA, titled, A Feminist’s Survival Index, not only reviewed Mogul’s current work, but positioned it in the context of the history of feminist art, and her legacy as a Los Angeles artist.